An integral part of the Indic renaissance which is often talked about in recent years have been fresh initiatives at dating various events pertaining to our Itihasa as described in the Ramayana and Mahabharata. ┬аGeography plays a crucial role in such initiatives as the geological and environmentalchanges which our planet has undergone over millenia can be well traced through markers such as changing sea levels, glacial retreats, sedimentation of bays, dried river beds, etc. Understanding the geography of the wider world as it existed during the time of the Ramayana or Mahabharata becomes asimportant as astronomical and cultural reference points. An example of this is the detailed geographical description of various continents, islands and far-away lands in all four cardinal directions as advised by Sugriva to Vanara scouts on the look-out for Mata Sita in the Valmiki Ramayana.
Mitra DesaiтАЩs тАЬFlag of AnantaтАЭ takes this quest forward by basing this geographical atlas of Sugriva as the foundation of an exceptionally well researched and engaging book. The book is important in not just consolidating various advances made in the interpretation of the geography of the Ramayana but also in continuing to demolish the colonial mindset of dismissing Itihasa as тАЬMythologyтАЭ or тАЬNon-historicalтАЭ. The book is hence not just a тАЬgreat readтАЭ but a тАЬmust readтАЭ in the midst of bitter culture wars where threats to Hindu historical identity are increasing alarmingly from various quarters.
GunduHuDuGa (Twitter) –
Subbu Publications have been on the forefront of publishing many books related to our Itihasas and Puranas. The Flag of Ananta is the latest offering which had piqued my curiosity after the recent launch. The first striking feature of the book is the classification as Indology which is a very welcome change as compared to Mythology as quoted for another book I am currently reading.
The Flag of Ananta is a Indology-fiction genre about the journey of a girl athlete, a journey of discovering our ancient roots through Ramayana. Like any modern child, she has her own apprehensions on ValmikiтАЩs magnum opus whose secrets and riches are unravelled through some conversations and unique experiences. Unlike the other common books, the major character from Ramayana in this book is Sugreeva. The main protagonist has an astral travel experience where she comes face to face with Sugreeva and the rest of the book is about her journey where she has a ring-side view of Ramayana as it unfolds over the various kandas of Ramayana.
The author should be appreciated for integrating the various verses from Kishkinda, Sundara and Yuddha kandas along with geographical findings of the modern era which is still trying to explain some of the unique marks across the world like Paracas Candelabra. The author has also interspersed a tribute to Dr. Padmakar Vishnu Vartak whose astral travel experiences are legendary and definitely would appeal to the interest of readers.
In a very recent podcast, Anuradha Goyal ji mentioned that every character in Mahabharatha is named with a specific intent. I could relate to this anecdote when I read this book. I do feel that the name of the main character who is a martial artist, as Bhuvaneshwari is by design, inspired by Bhavani Devi, Gold medallist in fencing. Similarly, the journalist Neeta Prakash is perhaps inspired by the ace journalist Smita Prakash. Each of the characters are quite well brought out (albeit with a one specific observation) and their conversations are quite illuminating.
I do have a couple of observations about few aspects of the book. First, the character of the father is mentioned in only 2 places. I feel that the author could have fleshed this out a little better and could have employed the character to further the narrative with his own unique perspectives.
Next, the book mentions that Ramayana occurred 14000 years ago. This specific dating could be quite contentious as various texts have varied interpretation. While we do have a concept of recurring Ramayana across Manvantharas, Devi Bhagwatha Mahapurana has a specific time line for Vaivaswata Manvnathara i.e. 19th Chatur Yuga, which is a long time back as we are in 28th Chatur Yuga now.
S.D.B. 4.16.14
yug├й caikona vins├йStha tr├йtakhy├й bhagavan harih jamadagnisuto jat├й ramo├й nama mahabalah
S.D.B 4.16.19
tr├йtayug├й raghorvans├й ramo dasarathatmajah
Even if we consider 28th CY, the duration of Dwapara is 2000 Deva Varusham which again a large spectrum of time. I do understand that there are different schools of thought, but I am referring to the ones from our Puranas.
Lastly, I personally wasnтАЩt very happy about generalising the Vanaras as forest dwelling tribes who wore masks and tails as appendages as part of appearance. While this could indeed be true, I refer to the original Valmiki Ramayana.
In the first sarga of Kishkinda Kanda, the great Rsi has written
рддрд╛рд╡реГрд╖реНрдпрдореВрдХрд╕реНрдп рд╕рдореАрдкрдЪрд╛рд░реА рдЪрд░рдиреНрджрджрд░реНрд╢рд╛рджреНрднреБрддрджрд░реНрд╢рдиреАрдпреМред
рд╢рд╛рдЦрд╛рдореГрдЧрд╛рдгрд╛рдордзрд┐рдкрд╕реНрддрд░рд╕реНрд╡реА рд╡рд┐рддрддреНрд░рд╕реЗ рдиреИрд╡ рдЪрд┐рдЪреЗрд╖реНрдЯ рдХрд┐рдЮреНрдЪрд┐рддреНредред4.1.128редред
рд╕ рддреМ рдорд╣рд╛рддреНрдорд╛ рдЧрдЬрдордиреНрджрдЧрд╛рдореА рд╢рд╛рдЦрд╛рдореГрдЧрд╕реНрддрддреНрд░ рдЪрд░рдЮреНрдЪрд░рдиреНрддреМред
рджреГрд╖реНрдЯреНрд╡рд╛ рд╡рд┐рд╖рд╛рджрдВ рдкрд░рдордВ рдЬрдЧрд╛рдо рдЪрд┐рдиреНрддрд╛рдкрд░реАрддреЛ рднрдпрднрд╛рд░рдордЧреНрдирдГредред4.1.129редред
Translates to the ones on the branches of trees, which is Monkeys. I personally believe that Ramayana is from an era where Monkeys were as evolved and knowledgeable as humans. I am highlighting these aspects as the book shouldn’t lead to a dilution of the original epic. Like how the guiding characters of the book emphasise repeatedly, one should learn from the originals.
These minor aspects aside, this book is a VERY GOOD read. If we can love Da Vinci code, I feel there is a much richer, more nuanced imagination about our ancient knowledge systems in this book. This is VERY HIGHLY RECOMMENDED book.
Kudos to Subbu for the fine quality of the book too !!!
https://twitter.com/GunduHuDuGa/status/1723165760149995564
Deepali P –
Mitra Desai рдиреЗ рд▓рд┐рд╣рд┐рд▓реЗрд▓рдВ рд╣реЗ рдкреБрд╕реНрддрдХ Subbu publication рдЪреНрдпрд╛ Rithwik Subramanya рдиреЗ рдкреНрд░рдХрд╛рд╢рд┐рдд рдХреЗрд▓реЗ рдЖрд╣реЗ.
рдпрд╛ рдкреБрд╕реНрддрдХрд╛рддреВрди рд░рд╛рдорд╛рдпрдгрд╛рддреАрд▓ рд╕реБрдЧреНрд░реАрд╡рд╛рдиреЗ рд╡рд░реНрдгрди рдХреЗрд▓реЗрд▓рд╛ рдЬрдЧрд╛рдЪреНрдпрд╛ рдирдХрд╛рд╢рд╛рдЪреА рдорд╛рд╣рд┐рддреА рд╕рд╛рдВрдЧрд┐рддрд▓реА рдЖрд╣реЗ. рддреА рдкрдг рдХрдерд╛ рд░реВрдкрд╛рдиреЗ. рдПрдХрд╛ рдпреБрд╡рддреАрд▓рд╛ рдЕрдиреЗрдХ рдкреНрд░рд╢реНрди рдкрдбрд▓реЗ рдЖрд╣реЗрдд … рд░рд╛рдорд╛рдпрдг рдЦрд░реЗрдЪ рдШрдбрд▓реЗ рдХрд╛? рддреНрдпрд╛рдд рдХрд╛рдп рддрдереНрдп рдЖрд╣реЗ? рддреНрдпрд╛рдЪрд╛ рдЖрдЬ рдХрд╛рдп рдЙрдкрдпреЛрдЧ? рдЗрддреНрдпрд╛рджреА. рддреНрдпрд╛ рд╕рд░реНрд╡рд╛рдВрдЪреА рдЙрддреНрддрд░реЗ рддрд┐рд▓рд╛ рдЕрджреНрднреБрдд рдЕрдиреБрднрд╡рд╛рддреВрди рд╕рд╛рдХреНрд╖рд╛рдд рд╕реБрдЧреНрд░реАрд╡рд╛рдХрдбреВрди рдорд┐рд│рддрд╛рдд!
Teenager рдЪреНрдпрд╛ рднрд╛рд╖реЗрдд, рддреНрдпрд╛рдВрдирд╛ рд╕рдордЬреЗрд▓ рдЖрдгрд┐ рдЖрд╡рдбреЗрд▓ рдЕрд╢рд╛ рдкрджреНрдзрддреАрдиреЗ рдорд╛рдВрдбрд▓реЗрд▓реА рдЕрджреНрднреБрддрд░рд╕ рдкреВрд░реНрдг рдХрдерд╛.
рд╣реНрдпрд╛ рджрд┐рд╡рд╛рд│реА рдирд┐рдорд┐рддреНрдд teenager рдореБрд▓рд╛-рдореБрд▓реАрдВрд╕рд╛рдареА рддреАрди рдЗрдВрдЧреНрд▓рд┐рд╢ рдкреБрд╕реНрддрдХреЗ. рднреЗрдЯ рджреЗрдгреНрдпрд╛рд╕рд╛рдареА, рднрд╛рдКрдмрд┐рдЬреЗрд╕рд╛рдареА Right Choice!
Review link: https://is.gd/vHIc61
Prashant K –
рдЖрдкрд▓реА рдкрд┐рдвреА рдорд╛рдЧрдЪреНрдпрд╛ рдкрд┐рдвреАрдЪреНрдпрд╛ рдЧреБрдЬрдЧреЛрд╖реНрдЯреА/рдХрд╛рдирдЧреЛрд╖реНрдЯреА рдРрдХрдд рдореЛрдареА рд╣реЛрддрдВ рдЧреЗрд▓реА рд╣реЛрддреА рд╢рдиреНрдХрд╛ рд╡рд┐рдЪрд╛рд░рд╛рдпрдЪреЛ рдЖрдкрдг рдкрдг рдкреБрд░рд╛рд╡рд╛ рдорд╛рдЧрдд рдирд╡реНрд╣рддреЛ . рд╕рднреЛрд╡рддрд╛рд▓рдЪреНрдпрд╛ рд╡рд╛рддрд╛рд╡рд╛рд░рдгрд╛рдореБрд│реЗ рдЖрдЬрдХрд╛рд▓рдЪреНрдпрд╛ рдореБрд▓рд╛рдВрдЪрд╛ рдЕрд╡рд╛рдХрд╛рдЪ рдПрд╡рдврд╛ рдореЛрдард╛ рдЖрд╣реЗ рдХреА рддреНрдпрд╛рдВрдирд╛ рдкреБрд░рд╛рд╡рд╛ рд▓рд╛рдЧрддреЛрдЪ. рддреНрдпрд╛ рд╕рд╛рдареА рдпрд╛ рдкреБрд╕реНрддрдХрд╛ рд╕рд╛рд░рдЦреЗ рдкреНрд░рдпрдиреНрдд рд╡реНрд╣рд╛рд╡реЗрдЪ рд▓рд╛рдЧрддреАрд▓.рд╕рд╛рд╡рдз рдЕрд╕рд╛рд▓ рддрд░ рдХрд┐рддреА рдореЛрдардВ рдЖрдХреНрд░рдордг рдЖрдкрд▓реНрдпрд╛ рдкрд┐рдвреАрд╡рд░ рд╡реНрд╣рд╛рдпрд▓рд╛ рд▓рд╛рдЧрд▓рдВрдп рдпрд╛рдЪрд╛ рдЕрдВрджрд╛рдЬ рдЖрд▓рд╛рдЪ рдЕрд╕реЗрд▓ рдпрд╛рд▓рд╛ рдлрдХреНрдд рдЖрдгрд┐ рдлрдХреНрдд рдЖрдкрд▓реА(рдЬреЗ рдЖрдЬрдЪреНрдпрд╛ рдШрдбреАрд▓рд╛ рд╡рдп рд╡рд░реНрд╖ рдЖрда рдкрд╛рд╕реВрди рдкрдВрдЪрд╡реАрд╢реА рдкрд░реНрдпрдВрддрдЪреНрдпрд╛ рдореБрд▓рд╛рдВрдЪреЗ рдЖрдИ рдмрд╛рдк рдЖрд╣реЗрдд.) рдЖрдкрд▓реНрдпрд╛ рдзрд░реНрдорд╛ рдмрджреНрджрд▓рдЪреА/рдЖрдкрд▓реНрдпрд╛ рд╕рдВрд╕реНрдХреГрддреА рдмрджреНрджрд▓рдЪреА рдЕрдирд╛рд╕реНрдерд╛ рдХрд╛рд░рдгреАрднреВрдд рдЖрд╣реЗ. рдЕрд╕реЛ.
рдЫреЛрдЯрд╛рд╕рд╛ рдкрдг рдЕрдлрд▓рд╛рддреВрди рдХрд╛рд░реНрдпрдХреНрд░рдо рдЭрд╛рд▓рд╛.@ DeepaliPatwadkar рддрд╛рдИ рдПрд╡рдвреНрдпрд╛ рд╕рд╣рдЬ рд╕рд╛рдзреНрдпрд╛ рд╢рдмреНрджрд╛рдд рдПрд╡рдврдВ рдореЛрдард╛ рд░рд╛рдорд░рд╛рдпрд╛ рдХрд╕рд╛ рдорд╛рд╡рд╡рддрд╛ рддреБрдореНрд╣реА?рдкреНрд░рдгрд╡рдЬреА рдЧреЛрдЦрд▓реЗ рдиреЗрд╣рдореА рдкреНрд░рдорд╛рдгреЗ рдмрд╣рд╛рд░рджрд╛рд░ рд╡реНрдпрдХреНрдд рдЭрд╛рд▓реЗ. @MitraDesai рддрд░ diplomat рдЪ рдЖрд╣реЗрдд рддреНрдпрд╛рдд рдСрд╕реНрдЯреНрд░реЗрд▓рд┐рдпрд╛ рд░рд╛рд╣рддрд╛рдд. рддреНрдпрд╛рдореБрд│реЗ рдкрд░рдХреАрдп рдзрд░реНрдорд╛рдЪреЗ рдЖрдкрд▓реНрдпрд╛ рдореБрд▓рд╛рдВрдирд╛ рдЖрдХрд░реНрд╖рдг рд╡рд╛рдЯрд╛рд╡реЗ рдореНрд╣рдгреБрди рд╣реЛрддрдВ рдЕрд╕рд▓реЗрд▓реЗ рдкреНрд░рдпрддреНрди рдЖрдгрд┐ рддреНрдпрд╛рдд рдпреЗрдгрд╛рд░реЗ рдпрд╢ рдкреНрд░рдХрд░реНрд╖рд╛рдиреЗ рддреНрдпрд╛рдВрдЪреНрдпрд╛ рд▓рдХреНрд╖рд╛рдд рдЖрд▓реЗрд▓реЗ рдмреЛрд▓рдгреНрдпрд╛рддреВрди рдЬрд╛рдгрд╡рд▓реЗ.
https://is.gd/wBXAXJ
Aniket Shintre –
Wasn’t really into history books before, but ‘Flag of Ananta: In Sugriva’s Footsteps’ totally changed the game for me. The whole time-travel thing with Bhuvaneswari getting thrown back into Ramayana times? Absolutely hooked me in. Mitra did some serious homework to make the old-school India vibe feel real and relatable, even for a history newbie like me.
Honestly, though, a map for all the ancient names and places would’ve been helpful for someone not clued up on Indian epics. But I’m glad I picked this up. It has opened my eyes to a whole new world of stories I was missing out on. Never thought I’d enjoy a book this much. ‘Flag of Ananta’ is like that unexpected chat with someone who’s supposed to be all serious, and then you find out they’re actually a blast to hang out with.
M Padhye –
рдиреБрдХрддреЗрдЪ рдлреНрд▓реХрдЧ рдЖреХрдл рдЕрдирдВрддрд╛ рд╣реЗ рдорд┐рддреНрд░рд╛ рджреЗрд╕рд╛рдИ рд▓рд┐рдЦрд┐рдд рдкреБрд╕реНрддрдХ рд╡рд╛рдЪрдирд╛рдд рдЖрд▓реЗ . рдПрдХрд╛ рдЬрд┐рдЧрд░рдмрд╛рдЬ рдЦреЗрд│рд╛рдбреВрдЪреА рд░рд╣рд╕реНрдпрдордп рдХрдерд╛ рдЖрдкрд▓реНрдпрд╛рд▓рд╛ рд╕рд╣рдЬ рд░рд╛рдорд╛рдпрдг рдХрд╛рд▓рд╛рдд рдШреЗрдКрди рдЬрд╛рддреЗ. рд▓реЗрдЦрд┐рдХреЗрдиреЗ рдЕрддрд┐рд╢рдп рдУрдШрд╡рддреНрдпрд╛ рд╡ рдЖрддреНрддрд╛рдЪреНрдпрд╛ рднрд╛рд╖реЗрдд рдкреНрд░рд╛рдЪреАрди рдХрд╛рд▓реАрди рдкреНрд░рд╕рдВрдЧ рд▓рд┐рд╣рд┐рд▓реЗ рдЖрд╣реЗрдд. рддреНрдпрд╛рдореБрд│реЗ рдкреБрд╕реНрддрдХ рдЖрдкрд▓реНрдпрд╛рд▓рд╛ рдЧреБрдВрддрд╡реВрди рдареЗрд╡рддреЗ. рдкреНрд░рд╛рдЪреАрди рднрд╛рд░рддреАрдп рд╕рдВрд╕реНрдХреГрддреА рд╡ рдкрд░рдВрдкрд░рд╛ рдпрд╛рдХрдбреЗ ‘mythology ‘ рдореНрд╣рдгреВрди рдкрд╣рд╛рдгреНрдпрд╛рдЪрд╛ рдЬрдЧрд╛рдЪрд╛ рджреГрд╖реНрдЯрд┐рдХреЛрди рдЖрд╣реЗ.рдкрдг рд╣реЗ рдкреБрд╕реНрддрдХ рднрд╛рд░рддреАрдп рдЗрддрд┐рд╣рд╛рд╕ рд╣реА рд╕рддреНрдп рдЬреАрд╡рдирд╢реИрд▓реА рд╣реЛрддреА рд╣реЗ рдЧреНрд░рдерд╕рдВрджрд░реНрдн рд╡ рд╕рдВрд╢реЛрдзрдирд╛рдЪреЗ рдЕрдиреЗрдХ рджрд╛рдЦрд▓реЗ рджреЗрдКрди рд╕рд┐рджреНрдз рдХрд░рддреЗ. рдЕрдиреЗрдХ рдирд╡ рд╡рд╛рдЪрдХрд╛рдирд╛ рдпрд╛рддреВрди рдкреНрд░реЗрд░рдгрд╛ рдорд┐рд│реВрди рднрд╛рд░рддреАрдп рдкреНрд░рд╛рдЪреАрди рдЗрддрд┐рд╣рд╛рд╕рд╛рдЪрд╛ рдЕрднреНрдпрд╛рд╕ рдХрд░рдгреНрдпрд╛рд╕ рддреЗ рдкреНрд░рд╡реГрддреНрдд рд╣реЛрддреАрд▓ рдЕрд╕рд╛ рд╡рд┐рд╢реНрд╡рд╛рд╕ рд╡рд╛рдЯрддреЛ.рд▓реЗрдЦрд┐рдХреЗрдЪреЗ рдЕрднрд┐рдирдВрджрди рд╡ рдкреБрдвреАрд▓ рдХрд╛рд░реНрдпрд╛рд╕ рд╢реБрднреЗрдЪреНрдЫрд╛ !
Yogesh Apte –
My life is deeply rooted in science and evidence, much like Bhuvaneswari’s initial skepticism in ‘Flag of Ananta.’ This book, however, opened my eyes to the seamless blend of history or itihasa and the truths that lie within our ancient texts, mirroring my own journey of discovery in the vast world of medicine. The personal connection for me was profound; growing up, I always had a keen interest in the stories of our past, but like Bhuvaneswari, I sought empirical evidence. ‘Flag of Ananta’ provided that bridge between belief and understanding, between science and shraddha.
Having known Mitra for several years, I’ve been privileged to witness her dedication and meticulous research firsthand. Her passion for uncovering the truth behind our itihasa is infectious, and her ability to weave these elements into a compelling narrative is unmatched.
‘Flag of Ananta’ is not just a book; it’s a journeyтАФa journey that I found enlightening and profoundly moving. It’s a must-read for anyone interested in exploring the depths of our heritage. Kudos to Mitra and best wishes for the next one.
Mihir Choudhary –
Flag of Ananta: When I started reading it, I was only aware that this was related to Ramayana, nothing more. But after reading, I learnt it was more about Sugriva
travels and knowledge of geography, which I was unaware about! It is an insightful story combining modern era with the Ramayan era. Some of our Sanatana dharma concepts are nicely highlighted in the quest to find unanswered questions. This book has motivated me to travel to the flag of Ananta in Peru.